![]() I had a lot of confidence that these guys are mature enough musically. "I wanted to bring them in and let them be part of the process-the writing, the arranging-and to do it all together. For Elliot, recruiting the additional players and having the entire band-plus a well-respected veteran producer help him shape the music-was integral to the project's success. Most importantly though, the music was created from scratch as Elliot and his handpicked musicians formulated and honed their ideas in the studio, with Braun's ultra-capable guidance. For one thing, the cast includes two other horn men augmenting Elliot's signature sax work: trumpeter/trombonist Rick Braun, who also produced the album and, on several tracks, baritone saxophonist Curt Waylee. Summer Madness is a new kind of Richard Elliot recording. I feel that if you're lucky enough to have a regular group of musicians that you work with, and you don't draw on their talent and their inspirations, you're short-changing yourself." "A lot of artists tour with a group of musicians, and then when it's time to make a record they hook up with a producer and go into the studio and use completely different people that maybe they've never even met before. ![]() "I wanted to involve my band," Elliot says. He also knew precisely who he wanted to accompany him on the new music. This record definitely goes down that path, leaning more on the funk side." "When I was growing up in the '70s and first learning to play the saxophone," he says, "I was mostly attracted to instrumentally based R&B and to jazz that had R&B roots. When tenor saxophonist Richard Elliot began preparing Summer Madness, his follow-up to 2014's critically acclaimed Lip Service, he knew exactly what he wanted to do.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |